trip-hop

• “Tricky, whose signature trip-hop sound has returned in a puff of smoke.”

  The Guardian: Yasmin, Emeli Sandé and Maverick Sabre are taking a trip back into trip-hop

• “The fact that it's trip-hop is mainly unexpected because its memory was bludgeoned into an unholy late-90s mess of Kosheen and Morcheeba, turning the genre's innovations into "chillout" music for the sort of dinner parties where discussion centred on what to do with that Jerusalem artichoke in your weekly organic veg box.”

  The Guardian: Yasmin, Emeli Sandé and Maverick Sabre are taking a trip back into trip-hop

• “Other trip-hop set texts influencing the charts include Tricky's Maxinquaye and Portishead's Dummy.”

  The Guardian: Yasmin, Emeli Sandé and Maverick Sabre are taking a trip back into trip-hop

• “We wondered? plucking several descriptions out of thin air charged with electric ions? whether we should proceed by labelling it folk noir, avant-acoustica, ballad oscuro, Nico in trip-hop hell, or susurrating 21st century shadowplay?”

  The Guardian: Matteah Baim (No 887)

• “There's something pleasing about the way it eschews all the standard baggage that comes with middle-of-the-road, Radio 2-playlisted artists: no gentle trip-hop breakbeats or cosseting synth washes, no hitmaking songwriters-for-hire buried in the credits, no post-Amy Winehouse retro soul or supper-club jazz scenery.”

  The Guardian: Rumer: seasons of my soul – review

• “She set her early professional path working with trip-hop artist Tricky.”

  The Huffington Post: Phil Ramone and Danielle Evin: Dog Ears Music: Volume 202

• “The first backwards-tracked vocal on "Rain," a still-underrated classic whose revolutionary noise and beats paved the way for psychedelia and trip-hop, and helped invent MTV.”

  The Huffington Post: Scott Thill: John Lennon: Working Class Mythmaker

• “There are also plans to bring in Lamb, the electronic trip-hop musicians from Manchester.”

  The Guardian: Portugal's new tourism draws are Phantom Of The Opera and Evita

• “Pushed to wider awareness by David Byrne and his Luaka Bop world music label, the band's three releases cover trip-hop, dub, house and Latin-tinged electronica via Carol C's bilingual English and Spanish vocals.”

  The Washington Post: Nightlife agenda

• “I didn't want to have to go back to the U.K. and scratch out something that fell between trip-hop and space-out.”

  The Wall Street Journal: Rock Legend's Joy Remains the Same

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