from The American Heritage® Dictionary of the English Language, 4th Edition
- n. A solid figure whose bases or ends have the same size and shape and are parallel to one another, and each of whose sides is a parallelogram.
- n. A transparent body of this form, often of glass and usually with triangular ends, used for separating white light passed through it into a spectrum or for reflecting beams of light.
- n. A cut-glass object, such as a pendant of a chandelier.
- n. A crystal form consisting of three or more similar faces parallel to a single axis.
- n. A medium that misrepresents whatever is seen through it.
from Wiktionary, Creative Commons Attribution/Share-Alike License
- n. A polyhedron with parallel ends of the same size and shape, the other faces being parallelogram-shaped sides.
- n. A transparent block in the shape of a prism (typically with triangular ends), used to split or reflect light.
- n. A crystal in which the faces are parallel to the vertical axis.
from the GNU version of the Collaborative International Dictionary of English
- n. A solid whose bases or ends are any similar, equal, and parallel plane figures, and whose sides are parallelograms.
- n. A transparent body, with usually three rectangular plane faces or sides, and two equal and parallel triangular ends or bases; -- used in experiments on refraction, dispersion, etc.
- n. A form the planes of which are parallel to the vertical axis. See Form, n., 13.
from The Century Dictionary and Cyclopedia
- n. In geometry, a solid whose bases or ends are any similar, equal, and parallel plane polygons, and whose sides are parallelograms.
- n. Specifically An optical instrument consisting of a transparent, medium so arranged that the surfaces which receive and transmit light form an angle with each other: usually of a triangular form with well-polished sides, which meet in three parallel lines, and made of glass, rock-salt, or quartz, or a liquid, as carbon disulphid, contained in a prismatic receptacle formed of plates of glass.
- n. In crystallography, a form consisting of planes, usually four, six, eight, or twelve, which are parallel to the vertical axis.
- n. In canals, a part of the water-space in a straight section of a canal, considered as a parallelepiped.
- n. In weaving, same as pattern-box
- n. A form of illuminator consisting of a prism with two convex surfaces, by which the light is brought to a focus upon the object.
- n. According to some authors any form having two pairs of parallel faces is called a prism; in this sense the term includes the domes of the orthorhombic system (this name being then restricted to a form having two faces only intersecting in an edge) and the hemipyramids of the monoclinic system.
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- n. a polyhedron with two congruent and parallel faces (the bases) and whose lateral faces are parallelograms
- n. optical device having a triangular shape and made of glass or quartz; used to deviate a beam or invert an image
But in the mid-1950s Ms. Tanning broke from the mirrorlike precision of narrative Surrealism to take up what she called her "prism" paintings, later renamed "Insomnias."
Mozilla has done a great job trying to diversify it's product lines, but I don't think prism is being explain or utilized properly. jamescoleuk
May 10, 2009 at 2: 32 AM would definitely love the RTM one if it could be integrated with a standalone app in prism!
I use fluidapp. com on the mac because its just awesome with growl and dock icons. i'm betting the dock icons in prism are to be done with a userscript.
Some rework may be needed in prism as it ain't taking the whole set of features out of FF to load them up to memory. chriswitt
Sweeney, the librarian in the novel, Im convinced that the chance to see ourselves through anothers prism is important perhaps more than ever.
I use gcal mobile in prism for a light-weight calendar app.
Because the glass of the prism is dispersive, different frequencies of the incoming white light are bent at different angles on entering and leaving the prism, resulting in a separation of the colors of the light.
In a previous essay, we saw that a super-majority of evolutionary biologists self-identity as "pure naturalists," providing us good reason to think that a non-teleological prism is used to shape our current mainstream understanding of evolution.
But the quality of the glass and the prism is important, too.