stylistics

• “This is not unintentional, nor is it mere stylistics.”

  Ballardian » Edward Burtynsky: Oil – A Ballardian Interpretation

• “Might it have something to do with the fact that reviewers are almost exclusively authors themselves, and perhaps more concerned with promoting their own thematic preferences and flaunting their prose stylistics than actually writing an accurate, even-handed review?”

  Go easy on John Metcalf (despite… you know…)

• “Equally, in his brisk 1987 thriller Best Seller – about an author-cop who sees a way out of his writer's block via a corporate hitman's psychopathic life story – it's Larry Cohen's cynical, subversive script that registers most strongly, not the stylistics of John Flynn.”

  The Guardian: Rolling Thunder: home at last

• “Twitteresque – digital stylistics or path to a higher being?”

  March « 2009 « Innovation Cloud

• “This stylistic strategy seems to me a genuine contribution to literary stylistics specifically and to American literature more generally.”

  October 2009

• “How does the utilization of diction, tone and stylistics aid to the story?”

  Tonight 6-22: Rob Schlegel at Broadway Books - Reading Local: Portland

• “The most important Duden Bänder are Stilistik (the original collocation dictionary), Grammatik, Rechtschreibung, and Gutes Deutsch (another mainstay for stylistics).”

  A word on dictionaries for German translators (and perhaps other languages) « Musings from an overworked translator

• “Note 8: For a fascinating discussion of noir stylistics, see Foster Hirsch, The Dark Side of the Screen: Film Noir (New York: Da Capo Press, 1983), 71 – 112. back”

  Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood

• “The Panthers 'urban guerrilla attire, for example, which [Huey] Newton and [Bobby] Seale apparently designed after watching a movie about French underground resistance fighters, also assimilated the cool, outsider stylistics of 1950s jazz and beat culture and the macho, leather-clad look that Marlon Brando perfected in The Wild One (1954).”

  Manhood in the Age of Aquarius: Masculinity in Two Countercultural Communities, 1965–83

• “In so doing, I also seek to delineate both the parallels and the distinctions between a postmodern approach in the West and in Russia, where it not only has distinctive aesthetic stylistics but also different functions.”

  GreenCine Daily: Rouge. 10.

Show 10 more examples...