from The American Heritage® Dictionary of the English Language, 4th Edition
- n. A Protestant hymn melody.
- n. A harmonized hymn, especially one for organ.
- n. A chorus or choir.
from Wiktionary, Creative Commons Attribution/Share-Alike License
- n. a form of Lutheran or Protestant hymn tune
- n. a chorus or choir
from The Century Dictionary and Cyclopedia
- n. See choral, 1.
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- n. a stately Protestant (especially Lutheran) hymn tune
This magnificent location at the base of fractured-stone cliffs, rising 600 feet above the natural amphitheater created by the crashing cascade, was a photo-perfect setting for federal and state tourism officials, so they assembled the symphony orchestra and chorale from the Arts and Sciences University of Chiapas, and assorted dignitaries and reporters.
The first movement is a chorale fantasia based on the first verse of the chorale, which is a common feature of Bach's cantatas.
The chorale was the exact opposite of the motette of the Netherlands.
The chorale is the first to perform it in North America.
The chorale is a 75-85 member chorus that performs two to four concerts per year, including a holiday concert in early December and a spring concert in early May.
So in a sense the chorale is the link to our past. "
Seniors who participated in a chorale showed significant health improvements compared to others their age: fewer doctor visits, fewer eyesight problems and falls, improved lung capacity and less asthma, less incidence of depression -- even the need for medication decreased.
As we all, elders and chorale join together at the end of our Seattle concert to sing holiday songs, I feel a surge of physical well-being and gratitude to all the voices raised so strongly.
"The chorale pieces, which are dark and serious, full of rough jagged edges; and the character songs, which are more popular and tuneful, but no less innovative."
Yet, in a sense, that was not all the director's doing: The opera concludes with Death's gentle aria in which he describes himself as relief from pain, not the cause of pain; the Emperor's rhapsodic farewell; and a luminous setting of a Lutheran chorale to the words, "Come Death, and be a willing guest" — taking the opera musically in an entirely different direction.