from The American Heritage® Dictionary of the English Language, 4th Edition
- n. A dramatic entertainment, usually performed by masked players representing mythological or allegorical figures, that was popular in England in the 16th and early 17th centuries.
- n. A dramatic verse composition written for such an entertainment.
- n. See masquerade.
from Wiktionary, Creative Commons Attribution/Share-Alike License
- n. (in 16th-17th Century England & Europe) A dramatic performance, often performed at court as a royal entertainment, consisting of dancing, dialogue, pantomime and song.
- n. Words and music written for a masque.
- n. A shortening of the word masquerade.
- n. Archaic form of mask.
- v. Archaic form of mask.
from the GNU version of the Collaborative International Dictionary of English
- n. A mask; a masquerade.
from The Century Dictionary and Cyclopedia
- See mask.
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- n. a party of guests wearing costumes and masks
In form it is a masque, that is, a dramatic poem intended to be staged to the accompaniment of music; in execution it is the most perfect of all such poems inspired by the
'It was I that called the masque at my house where first the King did see her.
The history of the masque is a stale matter, so I will merely mention that Campion, and many another with, before, and after him, engaged during a great part of their lives in what can only be called the manufacture of these entertainments.
England (unless _Comus_ be called a masque), and which are worth comparing with the ballets and spectacle pieces of Molière.
The masque is a combo of a fancy mud and "deeply nourishing" body cream.
Hmm, I don't think Prada Beauty makes a seaweed and cucumber "masque"...
As a ballad and a subversive "masque," however, it is a scandal to literary form and decorum in its analysis of oppression and its attribution of Promethean virtue to the hungry, the homeless, and the despised.
The "masque" or pantomimic pageant, without dialogue, was also a familiar spectacle of the later times, and remained an occasional feature of the drama in its development.
"Jack Straw" was a kind of masque, which was very much disliked by the aristocratic and elder part of the community, hence the amount of the fine imposed.
Among the boys who sang and acted in the "masque" were Beard, who afterwards became Handel's favourite tenor, and Randall, eventually