from The American Heritage® Dictionary of the English Language, 4th Edition
- Titian Originally Tiziano Vecellio. 1488?-1576. Italian painter who introduced vigorous colors and the compositional use of backgrounds to the Venetian school. His works include the altarpiece The Assumption of the Virgin (1518).
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- proper n. A sixteenth century Italian painter, Tiziano Vecelli.
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- n. old master of the Venetian school (1490-1576)
Sorry, no etymologies found.
Tiziano Vecellio's Portrait of Isabella d'Este, Marchioness of Mantua 1534 - 1536 is a technical tour de force that exhibits what this great master, who was known as Titian, can do to paint objects that have totally unrelated surfaces and qualities.
It is a pity he doesn't give more examples, but the poison in Titian – his god – is a sense of mortality; precisely what people see in Freud himself.
a little easel on the desk, and it was, strange enough, with a sense of actual relief, Maude read the word Titian on the frame.
The recovery of the Titian was a seven-year project that culminated in the handover of the painting, wrapped in a plastic bag, at a London bus stop last August.
But what was all this rapture about a snuffy brown picture called Titian, this delight in three flabby nymphs by Rubens, and so forth?
Here too is a judgment of Paris, by Titian, which is reckoned a very valuable piece.
"It seemed to me that your reception in front of the Titian was a put - up show, " I explained.
Her features are as regular and delicate as those of a Grecian statue, and her hair of a rich old mahogany color that I suppose an artist would call Titian red.
Titian, which is dark and grimy, is quite pleasing, the infant Christ, who stands between S. Andrew and S. Catherine on a little pedestal, being very real and Venetian.
 Among other notable portraits belonging to this early period, but to which within it the writer hesitates to assign an exact place, are the so-called Titian's Physician Parma, No. 167 in the Vienna Gallery; the first-rate Portrait of a Young Man (once falsely named Pietro Aretino), No. 1111 in the Alte Pinakothek of Munich; the so-called Alessandro de 'Medici in the Hampton Court Gallery.