from The American Heritage® Dictionary of the English Language, 4th Edition
- n. A narrated account; a story.
- n. The art, technique, or process of narrating.
- adj. Consisting of or characterized by the telling of a story: narrative poetry.
- adj. Of or relating to narration: narrative skill.
from Wiktionary, Creative Commons Attribution/Share-Alike License
- adj. Telling a story.
- adj. Being overly talkative; garrulous.
- n. The systematic recitation of an event or series of events.
- n. That which is narrated.
from the GNU version of the Collaborative International Dictionary of English
- adj. Of or pertaining to narration; relating to the particulars of an event or transaction.
- adj. Apt or inclined to relate stories, or to tell particulars of events; story-telling; garrulous.
- n. That which is narrated; the recital of a story; a continuous account of the particulars of an event or transaction; a story.
from The Century Dictionary and Cyclopedia
- Of or pertaining to narration or the act of relating the details of a transaction or an event: as, narrative skill.
- Given to narration or the telling of stories and the recounting of incidents and events.
- n. That which is narrated; a connected account of the particulars of an event or transaction, or series of incidents; a relation or narration; a story.
- n. The art of narrating or recounting in detail: as, he is very skilful in narrative.
- n. Synonyms Account, Relation, Narrative, etc. See account.
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- adj. consisting of or characterized by the telling of a story
- n. a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
Sorry, no etymologies found.
Hindostan,) the hero of the horrid narrative [Footnote: '_The hero of the horrid narrative_.'
Hollins, for one, is sure further twists in the title narrative await.
The phenomenon McCall Smith described -- best exemplified by the hordes of fans clamoring for any new speck of information on the next "Twilight" novel by Stephenie Meyer or the conclusion to the "Hunger Games" trilogy by Suzanne Collins -- is what I term narrative investment.
The cause of love, perhaps of envy, were the beneficia, flumen aureum of the emperor; and the Latin narrative is confirmed by
Where the narrative is aimed to function mainly as an immersive Story, authenticity and verisimilitude may be held more important than even basic literary skills.
Where the narrative is aimed to function mainly as a conceptual exploration of a quirk's implications, we may expect to see less bolstering as the alterior reality is argued via that exploration; in some cases -- some future and ulterior realities, for example -- the fictive milieu may be argued directly from the start point of a recognisable mimetic milieu.
I also think that the nature of the narrative is a factor.
Thus, the revenge portion of the narrative is all the more satisfying.
Central to this narrative is the concept of the mistake, which Josipovici delicately deconstructs, until we reach the point where the mistake looks indistinguishable from what we might call a right decision.
So perhaps the most impressive and subtle part of the narrative is the recognition that our desire for things to be okay, and our tenacious insistence on resisting change are more problematic than the natural disasters themselves.
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